土产品的土产品

原帖

有人说：

You 强吻 that WSN. and tell him this is how your gf felt when he kissed her……

After our discussions, Johan concluded finally:

Since you are fighting at the front line of applications, you have to ask deep theoretical questions!

Yes, I indeed got nice questions probably have never been asked. However, the point is that now I have to answer them…

这个秘密也控制了你

比如前一段我的一个舅舅得了最糟糕的一种癌症

亲属们都知道但没有告诉他

但当时我需要给他打这么一个电话

装作他只是轻微的病了

问候一下并憧憬未来等他出院了去看他

我觉得很痛苦

因为我知道这可能是最后一次和他说话了

话筒里我的声音显得那么的软弱和虚情假意

前天他去世了

直到那天我才知道我们俩是一天生日。。

我喜欢听八卦

但是请少点告诉我那些真的不能说的秘密

我的心真的装不下了啊

大师名家的作用在于让观众相信他们看不懂听不懂的东西应该由他们自己负责

从财经《视觉》上借用的话 正好作为我的一句话观后感。。

I think chinese culture is a remix culture, the idea of sharing is built-in…but of course that sometimes is at the expense of individual freedom.

- Ji Ruan

In the past we wrote books to make manifestos, now people make ‘documentaries’ to do the same thing.
-Francien

An inconvenient truth again?

山寨文化就是remix文化

中国人民走在世界人民的前列

我们不是remix音乐电影

而是手机 iphone 明星 汽车 白宫 连续剧

只不过 我们不能简单批凑抄袭 要remix的有品味。。

也能出girl talk 这样牛的就好了

I spent 5 hours watching 6 award-winning documentaries at IDFA. Hard day… My general feeling is that the borderline of a documentary and a feature movie is even more blur. Many documentaries are seems to tell stories with fixed interpretations (and they assure you that is the whole story) . There are not so much space left for you to judge. On the other hand, there are fewer limitations on how do you tell the stories in documentaries. Probably, you can design some rough plot then let go to see what you can get from the flow of time as in Constantin and Elena. You can add some artificial scenes to dramatize your story as it is in Silver Wolf Award winner Boris Ryzhy. Or you can even just make animations out of your audio record as in Slaves – An Animated Documentary. You can also tell some stories about a dead dog while making your point on something else as in Wanja. More and more often, the film maker let the subjects participate in the making of the film by some other interactions rather than just being recorded, even some offline project extensions like what they did in Born Into Brothels: Calcutta’s Red Light Kids . In the end you can remix stuffs and collect others’ creativity according to the manifesto in one of the coolest documentaries: RIP-A Remix Manifesto.

Among those pieces, what I love most is the Joris Ivens award winner Burma VJ - Reporting From a Closed Country. It simply made me in tears. It aroused something emotional at the back of my mind which I can’t explain here. I think we should cherish what we had improved in our country for the past 20 years. Fortunately, it is somehow getting to a different plot now in China, at least I believe so.

BTW I also saw a documentary about this famous Dutch documentary director Joris Ivens few month ago. It is called An old friend of Chinese People. This title makes much more sense than it seems, if you translate it into Chinese and know a bit of the relevant history. I didn’t really get the point of that documentary but it is definitely something worth knowing about the controversial issues between Ivens and China. I think the most important point of any sort of art is that you should be sincere when you make it. I can’t really judge it in Ivens’ case, need to know much more.

BTW I wanna be boss will be on Dutch TV NL2 tonight @20:55.